This light, easy to read, simple to understand ebook will help you focus your songwriting and write better songs by explaining in plain, conversational English what music business professionals are listening for in evaluating songs for pitching, publishing, and recording.
Little Black Book of Songwriting is being used as a textbook for Musician's Institute in Hollywood and at UCLA.
Michael Anderson is a songwriter / artist / producer / and author who has written songs for John Fogerty, Juice Newton, Pam Tillis, Phil Seymour, Rebecca St. James, and many others in rock, pop, country, and CCM.
He has been a staff writer for EMI and BMG Publishing in Nashville, as well as MCA /Universal and Criterion Music in Los Angeles.
Best known for writing “Maybe It Was Memphis” - #1 country single – recently placing #58 on the all time country love song playlist for CMT.
As a solo artist he has released six albums, two on A&M Records, two on EMI / Forefront, and two independent releases.
He has written many #1 CCM singles, and won a Dove Award for “Hard Rock Song of the Year” from the Gospel Music Association.
He is also an author – having written screenplays and books, including “Shiloh: A Confederate Love Story”, “The Devil: A Postmodern Look at Nathan Bedford Forrest”, and the film noir influenced “Tin Angel”.
He is a music business career and song consultant with the independent A&R company Taxi (taxi.com) and instructor at The Musician’s Institute in Hollywood.
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